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I realize it's not the flattest picture, but it was draped over my knees.

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DWTS Season 27: Week 2

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Cute opening. Although I miss pure ballroom openings. Demarcus. A bit fast for a foxtrot. I think he had his arms /shoulders too high in hold. It was decent, but something was a bit off for me. A bit high but may end up being one of the better of the night. Danielle. Not very good. I know she can't see, but technique was non existent. Too high.  John. Felt more Broadway than Charleston. The Charleston parts were off. The rest was cute at least. Too high. Barely 7s for me. Nancy. I saw heel leads, bent knees, not closing her feet on the chasses, and not actually moving during chasses and lock steps. Not very good. Too high. Alexis. A few hiccups surrounding the skirt and I think she should be able to point her toes better. Didn't really feel like an Argentine tango. Too high. Joe. Better than last week, but he also had far fewer steps. And the few he did felt like dance by numbers. Too high given he didn't do anything. Tinashe. I liked it. The tri...
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Interesting fractional stitches

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While working on John Clayton's dancer series, I came across some interesting fractal stitches. If they can be called that. As shown on the instruction sheet, there are full cross-stitches that are only 1x2.  They can be vertical or horizontal. I find this to be an interesting way of adding extra dimension and smoother lines. It also allows for a smaller amount of colors. Unless you're converting a photograph using software, it's hard for a designer to create the shading required for a Golden Kite, for example, type of creation. The other way I've seen is to use 1 over one in certain areas. Of course, you cannot use a blend of colors when using this technique. An interesting note with the 1x2 stitches, sometimes it ends up that a full cross-stitch ends up being offset. This can be seen with the sideburns and jawline in the face below. It's an interesting way of adding details to a piece. With a slimmer chance of driving either the designer or the stitche...
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